Catching, appealing, mentally healing! REMIX!
http://www.behance.com/dombarra
twitter.com/domibarra:
Vitaliano Novello - Mea Patria www.behance.com/dombarra #art
DMNC RMX : http://dombarra.tumblr.com
THE LAB OF ANOMALIES
Deformed bodies, storms of colours as skin, liberating scratches and liquid caresses, blured and shining forms will appear leading me to the achievement of the deserved freedom of creation/liberation, construction/destruction.
The monstruosity creation from the lab of the anomalies!
www.behance.com/dombarra
At me the eyes please #ff #art #artnews http://www.behance.net/dombarra
Fall into the world of…
Online portfolio : http://www.behance.net/dombarra
Become a fan, show me your love : http://www.facebook.com/pages/Domenico-Dom-Barra/178972638788957
Not safe for work! #nsfw #explicitcontent
The Creators Project : http://gallery.thecreatorsproject.com/dombarra
Behance : http://www.behance.net/dombarra
Virtual Gallery : https://dombarra.virtualgallery.com/
Twitter : @domibarra
From the mother of creation tits letters and colours pour out…suck them! #pregnantcreativity #art
The lab of anomalies (Humble beginning) : http://www.behance.net/gallery/The-Lab-of-anomalies-(Humble-Beginning)/2261704
The art of D.D. Barra is consciously based on a no linear logic. Moreover, the negation of the artist about the use of a rationalistic method in his creation is never univocal.Despite this, I believe that there are some analogies among the works which belong to a same project inside his whole artistic production. His “Brut paintings” (Penis in fabula -2010, The Holy Spirit - 2010, The Death of the Bullfighter - 2007) from the “Lab of Anomalies” project and the sketches from the collection “The Idiots”, which are created entirely using Smartphone app, are produced originally from creative automatisms, respectively hand made and digital, with an informal style which recalls the expressive lines typical of the “Art Brut”. Instead, in the project “Mea Patria”, the no-consequential genesis of the forms in the two-dimensional works (Italia is a Crackhead, No Recyclable Generation - 2011) and three-dimensional creations (Trench Italia - 2011, Vitaliano Novello - 2011) is produced through an acrobatic appropriation and mixing of various expedients drawn from others artistic techniques such as combine painting, object trouvé, collage/decollage, assemblage.The art of D. Barra is self-generated by the contact, by the collision, by the magnetic conflict produced between the human existential need for the creative process and the symbolized amorphous material of the world in which the artist is thrown as active and passive subject. The art of D. Barra is never tragic nor dramatic, it is never moral, it is never utopian nor idealistic, as much as it shrinks from the fetters of stereotyped “Art Engagè” and public art and yet it is still rich of mutual valuable human signals. D. Barra spurs with an aesthetics conscientiously “childlike”, “primitivism”, “untutored”, “nomadic”, in a single word I would dare to say adespota, the idle essence of the mediocre human being which is more or less inside all of us at different levels of either individual or collective consciousness. That “average human” who for too much avidity, or too much rationality, or for zeal, or for snobbery, or more simply for baleful and obtuse opportunism lives like an automaton who deliberately and continuously lies to him/herself and to the others, falling into the illusory and paranoiac traps which were orchestrated by him/herself.In the end, either if we are spacing through the aesthetics cuts from the chaotic and detrimental socio-political imaginary (No recyclable generation -2011, Vitaliano Novello - 2011, Trench Italia - 2011) or if we are facing the prismatic universe of the mythical/religious idols/jujus (Holy Spirit exited - 2010, Penis in fabula - 2010, The Death of the Bullfighter - 2007) or even from the ordinary circumstances of interpersonal interactions absurdly aggressive, quarrelsome, ruthless, irritating (The Idiots), the polycentric finality of Dom Barra is the deconstructive unmasking/unveiling never nihilistic rather vitalistic, consequently pervaded of wit, of the injurious hypocrisy of humans or rather the idiocy of which she/he seems can not (no succeeding? no wanting?) live without because she/he is an aware too much aware, utilitarian too much utilitarian, political too political, religious too religious, … human too much human living being.
Please, to see the works mentioned in the text see this link http://www.behance.net/gallery/About-Dom-Barras-art-Exciting-visual-idiocies/4719157
Let me please introduce myself… #SimpathyForAnArtist
DOM BARRA, neapolitan artist, approched and started his practice in the field of visual art during his 7 years of life in England, Great Britain, studying at the Leeds College of Art and Design. His creative production interests a wide use of techniques such as installation, digital art, mixed medias paintings with a choice of subjects spreading from works with sociopolitical concerns to works with a more introspective approch. The works of D. Barra are characterized by an eccentric use of colours. The artist lights up his creative flair with any tools or objects on his hand, works of a very strong visual impact and out of the boundries of “style” of mass consumption art.D. Barra has exhibited either in Italy or abroad his native country with a preference towards unusual spaces outside the common and enlightened “temples” consecrated to the worship of art excellences. The perpetuating creative dialectic of D. Barra results in a constant research for innovative artistic results in matters of subjects and the ways they can be depicted.
His works were also featured on various magazine and website such as Revolutionart Magazine, Players, The Villager Newspaper, Time Out New York and Reset Radio website.
Dom Barra
http://be.net/dombarra
http://it.linkedin.com/in/dombarra
http://www.twitter.com/dombarra
http://www.youtube.com/watch?v=s81HnRHTD…
http://www.youtube.com/watch?v=0PgKWQH6P…
http://dombarra.virtualgallery.com
http://dombarra.tumblr.com
DOM BARRA, neapolitan artist, approched and started his practice in the field of visual art during his 7 years of life in England, Great Britain, studying at the Leeds College of Art and Design. His creative production interests a wide use of techniques such as installation, digital art, mixed medias paintings with a choice of subjects spreading from works with sociopolitical concerns to works with a more introspective approch.
The works of D. Barra are characterized by an eccentric use of colours. The artist lights up his creative flair with any tools or objects on his hand, works of a very strong visual impact and out of the boundries of “style” of mass consumption art.
D. Barra has exhibited either in Italy or abroad his native country with a preference towards unusual spaces outside the common and enlightened “temples” consecrated to the worship of art excellences.
The perpetuating creative dialectic of D. Barra results in a constant research for innovative artistic results in matters of subjects and the ways they can be depicted.
Dom Barra - Trench Italia - 2011 - A4 paper prints, barbed wire, spray paint, toy soldiers, presepe figurines, blood on canvas stretched on board applied on wood board - 60cm X 40cm
